-Reviewed by Emma Lee- Through the poems in Say, Sarala Estruch explores subjects such as losing a father as a
Thank you to everyone who submitted their nominations. We have counted and the shortlist has been revealed. Voting closes on
Congratulations on your recent win at the Saboteur Awards Festival 2021! How did you feel when you found out that
– reviewed by Koel Mukherjee – Carmina’s Poetry Tease was the launch event for London poet Carmina Masoliver’s poetry pamphlet (also
Read more-Reviewed by Nick Sweeney– The Murder of Halland is presented as literary fiction author Pia Juul’s excursion into the crime
Read more-Reviewed by Afric McGlinchey– Elizabeth-Jane Burnett is a performance poet, and there is something of the immediacy of the spoken word
Read more– Reviewed by Dana Bubulj – @ Theatre Delicatessen It was rather difficult to miss the looming [Redacted] over London
Read more-Reviewed by Afric McGlinchey– In this chapbook, the reader is challenged to work out Meredith Andrea’s ‘means of reasoning, system
Read more-Reviewed by Suzannah Evans– Amy Hollowell‘s Peneloping is published by Corrupt Press, a small press based in Paris. For the
Read more-Reviewed by Andrew Bailey– corrupt press, the determinedly lower case publisher behind these pamphlets, declares that it exists because the
Read more-Reviewed by Martin Macaulay- Like a time-lapse recording, a sound recording, of a period and time when people were drawn
Read more-Reviewed by Seán Hewitt– In Monty Reid’s Garden (dec unit) and James Jewell’s Ships Made of Fake Fur, Corrupt Press offer us
Read more-Reviewed by Judi Sutherland– The contents page of Janette Ayachi’s chapbook Pauses at Zebra Crossings reads like a travel journal.
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