-Reviewed by Emma Lee- Through the poems in Say, Sarala Estruch explores subjects such as losing a father as a
Thank you to everyone who submitted their nominations. We have counted and the shortlist has been revealed. Voting closes on
Congratulations on your recent win at the Saboteur Awards Festival 2021! How did you feel when you found out that
–with Claire Trévien- Pour une version française de l’entretien, voir ci-dessous. Claire Trévien You might only be 26 years old
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-Reviewed by Harry Giles– Finding ways to document live performance is a perennial problem for the performing arts: watching a
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-Reviewed by Dave Coates– Angela Topping has edited three anthology-pamphlets, Advice on Proposals, The Scratching of Pens and Sweet Breast
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-Reviewed by Sohini Basak– A poetry anthology titled Ten the New Wave may need a bit of a context for
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-Reviewed by Steve Nash– Many moons ago, in the days of togas and popular bucolic mime, an Alexandrian poet named
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-Reviewed by Claire Trévien- It’s an act of triple filtering to want to share the poetry of Noni Benegas, translated
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-Reviewed by Jennifer Wong– It is hard not to fall in love with Rachel Piercey’s latest pamphlet, Rivers Wanted, with
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-Reviewed by Rishi Dastidar– ‘Charm’. And immediately, in front of your screens, I see your hackles rise, suspicion in
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-Reviewed by Anja Konig– The first thing you notice about Sarah Hesketh’s The Hard Word Box is the title. Is
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-Reviewed by Cecilia Bennett- In ‘Self-Portrait as Beast’, Frances Justine Post’s introductory poem in this début collection, the narrator puts
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