The whole point of the Saboteur Awards Festival this year, to me, was to put a spotlight on artists and organisations who had been impacted by the pandemic. That’s why our festival line-up is packed with amazing performers and organisations, lending their time, their words and their talent to digital audiences.
The whole point of the Saboteur Awards Festival this year, to me, was to put a spotlight on artists and organisations who had been impacted by the pandemic. That’s why our festival line-up is packed with amazing performers and organisations, lending their time, their words and their talent to digital audiences.
– Written by Hannah Ledlie – I suspect Jet Sweeney’s ‘Mountain’ might be a marmite poem. To test this theory
-Reviewed by Emma Lee- The Protection of Ghosts links past and present, exploring intergenerational trauma, particularly along the maternal line.
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-Reviewed by Afric McGlinchey- In Vilhena’s introduction to this chapbook, Adelaide Ivánova’s poetry is put in context for English-speaking readers.
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An introduction from our West Midlands Spoken Word Editor, Hannah Ledlie: “Regular spoken word nights are the lifeblood of the
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-Reviewed by Kristin D. Urban- 112 pages of 51 flash fiction stories from 42 authors underneath nine different sections, Story
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-Reviewed by Rhys Knapman- Things Left and Found by the Side of the Road (Ad Hoc Fiction) is an anthology
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-Reviewed by Angela Topping- This slim volume covers some very difficult material. The title poem, ‘The Happy Bus’ is about
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-Reviewed by Phoebe Walker- Caroline Hardaker’s debut poetry pamphlet is a triumph of contemporary myth-making. The poems in this slim
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-Reviewed by Pat Edwards- A pamphlet of just sixteen poems, this is a beautiful piece of work I happily read
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-Reviewed by Deirdre Hines- Primers is the brainchild of a mentoring and publishing scheme devised by the Poetry School and Nine
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-Reviewed by Katy Lewis Hood- Near the beginning of her debut pamphlet Night Waters, Pratyusha translates a fragment from a
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