Karen Goodwin

Haiku to Fck to* edited by Nikki Marrone & Thomas Dedola

-Reviewed by Jeremy Gordon- The Imprint of you Left Behind Upon the bed. Makes a day better. – Uppahar Subba

-Reviewed by Deirdre Hines- This anthology celebrates the representation of dolls in present day American poetry, in all their diversity.

-Reviewed by Jennifer Edgecombe- As an object, The Island, published by Wayleave, makes you feel as if you are embarking

-Reviewed by Bethany W. Pope– Nathan Evans and Justin David’s Threads is a collaborative work which cleverly combines a wide

–Reviewed by Charlie Baylis– Catherine Graham is a ‘proudly working class’ poet from Newcastle upon Tyne. Her pamphlet Like A Fish

-Reviewed by Jenna Clake- La Errante, a new multi-lingual zine of poetry and illustration, unfolds like album artwork to reveal

–Reviewed by Pam Thompson– The title of Emma Simon’s collection is a word borrowed from one of Mark Antony’s speeches

–Reviewed by Bethany W. Pope– Every so often life brims over with terror. Your mother dies from an aneurysm, falling

-Reviewed by Rachel Stirling- Fragile Houses, Nina Lewis’ debut pamphlet from V. Press, explores the subject of memory. She describes

-Reviewed by Helen Calcutt– One word springs to mind when reading Knight’s first pamphlet All the footprints I left were red

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