Reviews of the Ephemeral

Archive for the ‘All of the Above’ Category

Lazy Gramophone

In All of the Above, online magazine, Performance Poetry on December 7, 2010 at 10:40 pm

-Reviewed by Ian Chung-

Lazy Gramophone is a London-based arts collective, established in 2003. In 2006, it began hosting live events, as well as setting up an in-house press that publishes work by the collective. The first publication was Adam Green’s debut novel, Satsuma Sun-mover, which went on to be nominated for the Dylan Thomas Prize in 2008. The current, third incarnation of the Lazy Gramophone site showcases work from 48 artists, with more available in the archived copies of the site’s previous two versions. Each artist has a separate page, where content is further categorised under the following headings: Journals, Pictures, Music, Words, Links, YouTube, and Video Gallery. All this makes for a very rich and immersive navigating experience. The new site design is also clearly intended to make full use of Web 2.0, with the ability to share links to content through various social networking sites just a click away.

 

Given the diversity of the collective’s membership, it does not come as a surprise that the quality of work varies substantially. The rhyming in poems like Sorana Santos’s ‘This Road’ and ‘Fissures’ gives them a musical lilt, but the sentiments captured by the lines remain fairly pedestrian (‘I see her face when you make love to me’). They also happen to demonstrate a problem that I feel recurs throughout the site, i.e. typographical inconsistencies. I am willing to grant that Santos’s poems at least, deliberately bury their rhymes in the shifting line lengths. However, I am less convinced when faced with say, Charlie Cottrell’s ‘The Dress’, in which a moving meditation on an old memory is marred by lines that break off mid-word and odd characters that intrude for no apparent reason.

 

It is also unclear whether pieces such as ‘The Dress’ (of which there are several from different artists) are intended to be read as poetry or prose. On the screen, they certainly look like free verse poems, since the prose pieces elsewhere on the site do make full use of the screen’s real estate for their typesetting. Yet when they are read, their rhythms and syntax sound curiously like those of prose. In short, if this is poetry, I think the lines breaks generally do not justify themselves. If it is prose, Lazy Gramophone might want to reconsider its content formatting, as the varying line lengths can be distracting and impede narrative flow.

 

Still, there is work at Lazy Gramophone that makes for rewarding, as opposed to frustrating, reading. Sam Rawling’s poem ‘Hung’, taken from his collection Circle Time, is a stellar example. There is a keen sensitivity to the relation between sound and meaning on display here. To begin with, the internal rhyming of ‘Humble’, ‘crumble’ and ‘stumble’ connects the couple in the poem to ideas of breakdown and impermanence. The subsequent alliteration of ‘stumble’ and ‘stomach’ reminds us that the locus of the poem’s (in)action is ‘this lonely table’, where the couple is caught in stasis, fit for a ‘scene / Displayed on a wall’.

 

Perhaps the clearest example of the aural intricacy of the poem occurs in the last six lines:

 

‘For the violence silent so beautiful between us,

For the slits across our wrists

Sown simply now by its title.

If only this frame wasn’t so fragile,

Then maybe one day we

Could have hung it.’

 

The echo of ‘violence silent’ is wonderfully evocative in its juxtaposition of eruption and repression. That ‘silent’ alliterates with ‘simply’, which in turn assonates with ‘slits’ and ‘wrists’ should hardly be viewed as an accident. The troubled undercurrent of the poem has been brought into the open, and everything culminates in the last three lines’ graceful understatement of regret.

 

Moving on from written to spoken word, I would highly recommend Mat Lloyd’s performance poetry. He has three audio recordings and one video up on Lazy Gramophone, all of which offer social commentary whilst being very fun to listen to/watch. ‘I Apologise’ is a consciously self-reflexive apology for poetry’s existence, while ‘Suicide Note; Bank Manager Lament’ is a hilarious diatribe, which will definitely resonate with a post-financial crisis audience. His animated poetry video ‘Blokes’ won Best Film at the ShortCuts Festival in 2009. It offers a penetrating examination of contemporary male friendships, invoking the vocabulary of laddish banter (‘Every time I bone your missus / She gives me a doughnut. Slut’, only to pull the rug out from under the viewer in its final, wrenching seconds.

 

On balance, I would say that it is definitely worth checking out the Lazy Gramophone site. Formatting issues aside, there is a good deal of solid work to be found, far more than is practicable to comment on in the space of a review. The collective also clearly contributes to the arts scene in London and the UK, and it would be interesting to see what else their press arm puts out in future. Finally, although I have not commented much on the artwork displayed on the site, I would urge visitors to take a look at Zoe Catherine Kendall’s cross-disciplinary pieces, where the artwork complements the writing, as well as the haunting pictures from Daniel Regan and Evelina Silberlaint.

 

Various Pieces of News #June

In All of the Above on June 5, 2010 at 7:43 am

1) The Mslexia Women’s Poetry Competition for 2010 is now open. The website also features a very useful workshop by Jane Holland on learning to remove from pedestals first drafts – I think we can all learn from that!

2) TODAY! Little Episodes is hosting an ‘afternoon of live music and literature, smack-dab in the middle of the hustle and bustle of Brick Lane’ with book donations running throughout the afternoon and readings leading into the evening.

3) The New Danse Macabre is out, the issue is called ‘Stardust’ and focuses on the magic of cinema with, as usual, an esoteric mix of fiction and poetry. Check it out, it’s free and online!

4)  ‘Polarity Magazine launches its first issue ‘Death vs Taxes’ on Thursday 24 June at the Writer’s Room, University of Warwick. The London launch will take place on Sunday 27th June at the Slaughtered Lamb pub (starts at 18.00)

5) If you happen to be in Paris end of June, don’t miss Shakespeare & Co’s Literary Festival 18-20 June 2010. The theme this year is Storytelling & Politics and the writers invited incude Martin Amis, Philip Pullman, Will Self, Carole Seymour-Jones, Raja Shehadeh, Erica Wagner, Jeanette Winterson, Gao Xingjian and many more.

6) Again, if you’re in Paris, don’t miss the next Franco-British Spoken Word evenings (every Monday at Culture Rapide). The themes for June : 7 June – Revolution; 14 June – Time travel… voyager dans le temps; 28 June – Skin… la peau.

7) This isn’t news, but get yourself to Fuselit now if you haven’t already, and nab yourself one of their special offers – beautifully handmade, eccentric and with awesome content to boot, these limited editions aren’t going to be around for ever. Besides, did I mention they’re insanely cheap for what they are? Well, they are.

8 ) Cinnamon Press is five years old and is celebrating with special offers on Envoi and I Spy Pinhole Magazine as well as a special price for Adnan Mahmutovic’s novella Thinner than a Hair (£6) – for that price you also get a copy of his short story collection [Refuge]e for free. If you want to win a place on their writing course in Wales this autumn, send a short story of under 2,000 words/five poems/five microfictions by 31 July. Full details are here. Keep an eye out too on their reading tour at the end of June in London.

9) In Paris yet still (it’s where I’m based, forgive me) The Ivy Writers Paris are hosting a Franco-British reading on 15 June with poets Rachel Blau Duplessi and J-P Auxémery at Next (17 rue Tiquetonne) at 19h30.

10) Gists and Piths have some great recommendations of things to check out this month. It is also a wonderful blog combining reviews, articles and contemporary poetry, well worth checking out.

11) The Silkworms Ink blog has been going for a few weeks and it is worth a read. On top of this, Silkworm Ink also has online pamphlets and t-shirts for sale.

12) Last Paris one, I promise, the 33rd Festival of Franco-British Poetry takes place 13-20 June, with Catalan poetry at the forefront this year.

Think something is glaringly missing? Let me know in the comments.

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