Best Magazine (5)

Saboteur Awards: Best Spoken Word Performer

This month, we will showcase each of the works shortlisted in the Saboteur Awards by category. Next up: best spoken word performers! If you’d like to have your say in the awards, don’t forget to vote! Stu Freestone “To be included in the shortlist for Best Spoken Word Performer 2015, genuinely left me in a complete…

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The Month In Which We Are Born by Danielle Susi

-Reviewed by Nicole Rollender– Danielle Susi’s 12-poem chapbook, The Month In Which We Are Born, pays careful attention to the physical and immaterial trails we leave behind – “footprints and fingerprint fossils left in dust.” There’s an echoing concern throughout the poems – will we be recognized in the traces we’ve left, if they’re altered?…

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The Germ #1 and #2 (ed. Jonny Bruce)

 -Reviewed by Billy Mills– The original Germ was an organ of the Pre-Raphaelite Brotherhood. Subtitled ‘Thoughts towards Nature in Poetry, Literature and Art’, the journal featured poetry by the Rossettis and others, as well as essays on art and writing by members and friends of the Brotherhood. The first issue appeared in 1850 but the…

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Funerals & Thrones by JD Scott

-Reviewed by Erik Kennedy– For the poet of faith, the bedroom is a chapel, a hermit’s cave, a sanctuary; for the poet of desire, it is a bower of bliss, a cultic centre of fancy and aphrodisia, an eroto-grotto. For JD Scott, in the thirty poems of his second chapbook, Funerals & Thrones (Birds of…

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Cutting Up the Economist by Clive Birnie

-Reviewed by David Clarke– Clive Birnie’s pamphlet Cutting up the Economist is the result of a five year project in which the author created cut-ups of headlines and contents pages from the eponymous news magazine in order to produce poems which reflect on the economic upheavals of the period 2009-2014. The poems are presented against…

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Poetry Bingo by Maria Taylor

-Reviewed by Harry Giles–   Poetry Bingo is, most obviously, a game. Each of Maria Taylor’s four cards features a traditional 7×4 grid with 16 carefully-selected poetic moves – from thousand-dollar words (“shards”, “breast”) to formatting conceits (“strike-through”, “…”), from structural ploys (“very long clever title”, “stirring epigraph”) to hard-to-find absurdities (“wolf-love”, “custard”). Taylor imagines…