Reviews of the Ephemeral

Saboteur Awards 2013: The Shortlist

In All of the Above, Saboteur Awards on April 1, 2013 at 12:09 am

Your Pick of this Year’s Best Indie Lit!

VOTING IS NOW CLOSED!

Once a year, to mark our birthday, we at Sabotage like to give out some awards to the publications we’ve most enjoyed during the year. This year, we want YOU to vote for the winners in twelve different categories.

After over 400 votes, nominations are now closed and we can reveal the shortlist!

We are now open for the second round of voting which ends 1st May at midnight. Winners will be announced on 29th May at the Book Club, London. It’s going to be a big celebration of indie lit in all its glory and we’d love it if you could attend. There’ll also be performances, a mini-book fair, music from LiTTLe MACHINe and our very own critique booth.

Here’s what happens next:

  1. Voting is now closed!
  2. Buy a ticket to the awards ceremony/birthday bash.
  3. If you are shortlisted, you get a priority slot at the book fair, but you must make yourself known fast.
  4. If you are not shortlisted but would like some space at the book fair, read this.

Please find the shortlist below, which consists of the top 5 nominations in each of the 12 categories, with links to their reviews in Sabotage.*

*Reviewing or featuring all of these works (through interviews for instance) is a work-in-progress which we hope to achieve by the time of the event. Obviously, it is quite a monumental task in a short time, so we appreciate any help from past, present and future reviewers in achieving this, as well as the cooperation of nominees!

Many congratulations to all those who made the shortlist!

In no particular order:

Best Novella

Synthetic Saints by Jason Rolfe (Vagabondage Press)
Holophin by Luke Kennard (Penned in the Margins)
Count from Zero to One Hundred by Alan Cunningham (Penned in the Margins)
The Middle by Django Wylie (Twentysomethingpress.com)
Controller by Sally Ashton (Dead Ink)

Best spoken word performer

Raymond Antrobus
Dan Cockrill
Emma Jones
Vanessa Kisuule
Fay Roberts

Most innovative publisher

Burning Eye
Unthank Books
Sidekick Books
Knives, Forks, and Spoons Press
Penned in the Margins

Best short story collection

 The Syllabus of Errors by Ashley Stokes (Unthank Books)
My Mother Was An Upright Piano by Tania Hershman (Tangent Books)
Fog and Other Stories by Laury A. Egan (Stone Garden)
All the Bananas I’ve Never Eaten by Tony Williams (Salt Publishing)
The Flood by Superbard (Tea Fuelled)

Best poetry pamphlet

Selected Poems by Charlotte Newman (Annexe Magazine)
Body Voices by Kevin Reid (Crisis Chronicles Press)
Lune by Sarah Hymas (self-published)
Songs of Steelyard Sue by J.S.Watts (Lapwing Publications)
Lowlifes, Fast Times & Occasionally Love by Lawrence Gladeview (Erbacce Press)

Best ‘one-off’

Penning Perfumes
Shake the Dust
Binders full of Women
Poetry Polaroid (Inky Fingers Collective)
Poetry Parnassus

Best Spoken Word show

‘Whistle’ by Martin Figura
‘Dirty Great Love Story’ by Katie Bonna and Richard Marsh
Wandering Word Stage
Emergency Poet
‘Lullabies to Make your Children Cry’ by Lucy Ayrton

Best magazine

Alliterati
Lummox
Lakeview International Journal of Literature and Arts
Rising
Armchair/Shotgun

Best regular Spoken Word night
Bang said the Gun (London)
Hammer and Tongue (Oxford)
Jibba Jabba (Newcastle)
Inky Fingers (Edinburgh)
Come Rhyme with Me (London)

Best poetry anthology

The Centrifugal Eye’s 5th Anniversary Anthology (ed. E.A. Hanninen)
Rhyming Thunder – the Alternative Book of Young Poets (Burning Eye)
Sculpted: Poetry of the North West (ed. L. Holland and A. Topping)
Catechism: Poems for Pussy Riot (English PEN)
Adventures in Form (Penned in the Margins)

Best fiction anthology
Unthology, volume 3 (Unthank Books)
Post-Experimentalism (Bartleby Snopes)
Best European Fiction 2013 (Dalkey Archive)
Front lines (Valley Press)
Overheard: Stories to Read Aloud (Salt Publishing)

Best mixed anthology

Estuary: a Confluence of Art & Poetry (Moon and Mountain)
Pressed by Unseen Feet (Stairwell Books)
Still (Negative Press)
Silver Anthology (Silver Birch Press)
Second Lives (Cargo Press)

‘All the Bananas I’ve Never Eaten’ by Tony Williams

In Saboteur Awards, Short Stories on May 19, 2013 at 3:20 pm

-Reviewed by Charlotte Barnes-

All the Bananas I've Never Eaten

Over recent years there seem to have been fluctuations in the popularity of the short story as a genre. However, over recent months, the genre has certainly been on the rise; proving so popular with readers that we are now encountering the younger sibling of the short story, flash fiction, much more frequently than before. All The Bananas I’ve Never Eaten, the latest release from writer Tony Williams, offers a fine example of why this rise in popularity is happening.

The collection is marketed as a short story collection, although I would perhaps argue that some of these snippets rest better beneath the umbrella of flash fiction given their length. Irrespective of their genre, the stories in All The Bananas I’ve Never Eaten are fascinating insights into the average, sometimes not so average, lives of people.

While I would love to address each story within the collection, given that there are over seventy, it is a perhaps a little too adventurous for this particular review.

It becomes clear from the opening story, ‘Clicks’, that this collection is written from a truly unique perspective, or perhaps I should say perspectives. A personal favourite from the collection is ‘Anya’s Complaint’, a truly intimate and emotional story with a hard-hitting ending that I wasn’t prepared for. ‘As God Intended’ is another forceful story within the book, detailing the suspicions of both a father and son. While the ending is simple, it certainly has an unexpected emotional impact on you when you read the closing dialogue.

A story that stood apart from the rest was ‘The Wonderful Thing’; the title lulled me into a false sense of security from the beginning and, from the first sentence, Williams began to pull the rug from beneath me. The tale is such a painful and honest depiction of a real-life situation, which is undoubtedly something that a lot of readers either have lived or, unfortunately, will live, through. A truly touching addition to the collection.

The likes of ‘Back in Jiffy’ and ‘Call of Duty’ certainly provide welcome breaks from the emotion by littering small fragments of humour in between the more serious tales. ‘Learning to love Mr Lamb’, a later story, also provides a breath from all the emotion with the rather uplifting story of a man who finds himself in charge of a butcher’s shop simply because the butcher shares his name. ‘Laptops’, another humorous interlude, is yet another personal favourite within the collection, demonstrating modern-day flirting as its finest.

‘Markingitis’ is yet another memorable tale, with an amusing beginning that in no way prepares you for the end; something that Williams seems to be remarkably good at, in All the Bananas I’ve Never Eaten at least.

While only a few stories have been mentioned from All the Bananas I’ve Never Eaten, let it not be assumed that the others were not worth mentioning. Each tale within this collection is brilliant in its own right, with many of them being stories I would willingly and pleasurably return to re-read in the future. Tony Williams has successfully used the medium of literature to weave in and out of the life of the average person, re-creating those lives for our reading pleasure. The emotion, humour and awkwardness in these tales is the closest thing to real-life I have read in an extremely long time and I would certainly recommend this book to anyone looking for a good book that will keep you on your toes.

Interview: Come Rhyme With Me

In Interview, Saboteur Awards on May 16, 2013 at 9:30 am

- interviewed by James Webster -

come rhyme

With the Saboteur Awards results to be announced at the Awards Party in just two weeks, we interview Best Regular Spoken Word Night nominees Come Rhyme With Me about their event and its unique food-themed format.

Let’s start with the basics: how long has Come Rhyme with Me been running and when/where does it take place?

Come Rhyme With Me will have been running for 3 years in July. Come Rhyme With Me takes place twice a month.

On the 3rd Friday of each month we travel to The Writers Place (9-10 Jew St) in Brighton and on the last Friday of each month we are based at Cottons Islington (70 Exmouth Market) in London.

How did Come Rhyme with Me come into being? Was it done with a particular ethos or mission statement in mind?

In 2010, Naomi Woddis put out a call for an event to take place at Cottons Islington. Dean and Deanna had previously curated events together at Lyric Hammersmith and were keen to establish their own independent event, one that promoted quality spoken word and poetry. They wanted to create an event they would pay to go to.

Come Rhyme With Me has a really unique spin on it with its “set menu of performers” and focus on food. What led to that decision?

Upon seeing the space and the restaurant the idea for a food and poetry night was formed. They pitched the idea to the owners (Beverley and Andrew) and Come Rhyme With Me was conceived!

You run nights in London and Brighton, do you find there’s difference in style/flavour between the events in different areas?

In 2011 Dean was invited to curate an event for New Writing South, an organisation that promotes writing and writers of all types in the South East of the country. Dean decided to bring Come Rhyme With Me, the event was a part of Brighton Fringe Festival and was a success. New Writing South invited Dean and Deanna to launch a regular Come Rhyme With Me at The Writers Place and so Come Rhyme With Me Brighton was launched!

Who have been your favourite performers that you’ve had at Come Rhyme with Us? What have been the other highlights?

There have been so many amazing performers at Come Rhyme With Me not to mention the performers that come through the appetiser (open mic) section. The Christmas party where we had an array of performers has been a highlight. Not to mention the successful collaborations between Come Rhyme With Me and Oval House Theatre and London Liming at Rich Mix.

What do you look for when you book performers for your “set menu?

The menu is chosen with flavours in mind. What style the performer is and how they would fit in a holistic sense. Very few acts are rebooked though Starters are brought back as Mains or Desserts.

What have been the challenges of running a regular spoken word event?

Not so much challenges as standards. Come Rhyme With Me is all about quality of experience.

What is your opinion of the state of spoken word and performance poetry in London and the UK?

It’s strong and getting stronger each year. Events such as Come Rhyme With Me, Bang Said The Gun and Chill Pill are constantly bringing in new audiences and showcasing emerging talent.

If you’re trying to convince someone who’s never heard of Come Rhyme with Me to come to your events then what do you say?

The food element is a massive draw as are the unique line ups and open mic aspect. Dean and Deanna have also been praised for their ability to create a warm and welcoming environment for all audiences. Why don’t you Come and Rhyme With Us!?

And finally, have you heard of Sabotage before (if so, what?) and are you pleased to be nominated for a Saboteur award?

Come Rhyme With Me is very pleased to be nominated for a Saboteur award. It’s a first of hopefully many. Massive thanks to all those who nominated and have voted.

Come Rhyme With Me is run by Dean Atta and Deanna Rodger. They’re cool, check them out.

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