–Reviewed by Julieta Caldas– In an interview with HeadStuff, Jenna Clake states that prose poetry allows her ‘to tell a
It’s with a huge amount of delight (and a bit of relief, if we’re honest) that we can announce voting
Utopia – a single-hander written and performed by multi-disciplinary artist and creative producer Amahra Spence – blurred the barriers between life and art.
-by Claire Trévien– Since launching Sabotage Reviews nearly 8 years ago, reviewing spoken word has been at the core of
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reviewed by Stella Backhouse With the Festive Season fast approaching, writer/performer Sarah Woods’ new monologue Under the Carpet, and premièred
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reviewed by Sally Jack A review of one of Leicester’s regular spoken word events, Find the Right Words (FTRW), is
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– Reviewed by Ryan Ormonde – The Gathering Cloud is a long poem in two parts, the second of which
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– Reviewed by Penny Boxall – Anna Lewis’ elegant pamphlet, A White Year, opens with the keen intelligence of a
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– Reviewed by Pam Thompson – How does an editor select poems for an anthology, especially one with the words
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– Reviewed by Jessica Traynor – Graham Clifford’s pamphlet, Computer Generated Crash Test Dummies, looks at traumatic life events from a
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-Reviewed by Angela Topping– The cover promises travelling poems, and poems of place. Looking through, I can see that many
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– Reviewed by Jessica Traynor – Helen Tookey writes poems of mutability, poems that seek to capture the moment when
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-Reviewed by Cherry Potts– First Girl on the Moon is a collection of short stories by two authors. Why these
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