Saboteur Awards 2018: Spotlight on Short Story Collection Shortlist

Over 2,000 people have already voted in the Saboteur Awards! You have until 9th May to make your choice. With this in mind, we aim to showcase each category so you can get to know your shortlist better… First up: the best short story collection shortlist!

Vote here.

Bank Holiday Hurricane by Kelly Creighton (Doire Press)

A woman picks up what is left of her life after her release from prison; a young couple are about to set off for Australia when a leaving party changes everyone’s fate; lifelong friends keep deep secrets that could fracture each other’s lives. Bank Holiday Hurricane (Doire Press, 2017) is a collection about dislocation, disenchantment and second chances, told through linked stories set in and around a Northern Irish town, and further afield.

Why voters think it should win:

Bank Holiday Hurricane is gritty, witty and well observed. The best short story collection I read in 2017.

Kelly’s stories encompass so many different worlds and styles. It feels like a range of different authors at times. Very clever. Kept me turning pages for sure!

Find out more about Kelly Creighton here or follow her at @KellyCreighton

Come Let Us Sing Anyway by Leone Ross (Peepal Tree Press)

Leone Ross writes magic realism, horror fiction, erotica and literary fiction. She has published two critically praised novels, All The Blood Is Red (ARP/Actes Sud) and Orange Laughter (Anchor/Farrar Straus & Giroux/Picador). Orange Laughter was shortlisted for the UK Orange Prize and named by Wasafiri magazine as one of the most influential British novels of the last 25 years. Ross’s short fiction has been shortlisted for the V.S Pritchett Prize and Salt Publishing’s Scott Prize. She has judged the Manchester Fiction Prize and the Wimbledon Bookfest Short Story Competition. She is a Senior Lecturer in Creative Writing at Roehampton University, and a Senior Fellow of the UK Higher Education Academy. Leone Ross’s short story collection, Come Let Us Sing Anyway was published in June 2017 by Peepal Tree Press. Praised by the Guardian as ‘searingly compassionate’, the Times literary Supplement called her a ‘master’ of the form and on Radio 4, ‘extraordinary’. She lives in London with two cats and a large, as-yet-unpublished third novel, about a chef addicted to hallucinogenic moths.

Why voters think it should win:

Stories bursting with the colours and richness of life – to read them is to feel deeply connected with what it means to be human

Pushes boundaries while staying loyal to the form. Cracking collection.

Find out more about Leone Ross here or follow her at @leoneross

Fifteen Minutes by Erinna Mettler (Unbound)

Erinna Mettler is a Brighton-based writer. Her first novel, Starlings, was published in 2011 and was described by one critic as doing for Brighton what The Wire did for Baltimore. She is a founder and co-director of The Brighton Prize for short fiction. Her stories have been published internationally and short-listed for the Manchester Fiction Prize, The Bristol Prize, The Fish Prize and The Writers & Artists Yearbook Award. Her career highlight so far was having a short story about vintage underwear performed by a Game of Thrones actor in the literary tent at Latitude Festival. Erinna’s new short story collection on the theme of fame, Fifteen Minutes, was published by crowd-funding publisher Unbound in 2017.

Why voters think it should win:

Excellent prose, fascinating characters, transports the reader

A thought-provoking and clever collection, with great variety of setting and well-delineated characters.

Find out more about Erinna Mettler here or follow her at @ErinnaMettler

Hings by Chris McQueer (404 Ink)

Chris McQueer is a 26 year old writer and spoken word performer from the east end of Glasgow. His writing style has been described as, ‘Limmy meets Irvine Welsh.’ McQueer’s first collection of short stories, Hings, was published last summer by 404 Ink.

Why voters think it should win:

It is innovative, witty, and shows that Scottish writing is more than Irvine Welsh.

His take on Glasgow is very funny and entertaining. He brings to life a whole new perspective with his writing.

Find out more about Chris McQueer here or follow him at @chrismcqueer

You Will Grow Into Them by Malcolm Devlin (Unsung Stories)

Malcolm Devlin’s stories have appeared in publications including Interzone, Shadows & Tall Trees and LossLit. His collection, You Will Grow Into Them is published by Unsung Stories. It contains ten stories, each a strange sort of coming of age tale. There are ghost stories without any ghosts in them, werewolf stories without any werewolves in them, a city that turns into forest, a barren planet with a peculiar sort of harvest celebration and a suburban street suffering a very personal and rather embarrassing apocalypse.

Why voters think it should win:

These stories tap into a deep and precise vein of weirdness that I love.

It’s simply the finest genre fiction you’ll ever read. Deeply literary, personal, scary, tender, funny and profound. An incredible wit and intelligence we will come to treasure.

Find out more about Malcolm Devlin here, or follow him at @barquing

 

Saboteur Awards 2018: Shortlist

The results are out! 

After nearly 5,000 people cast their nominations, we now have a shortlist!

The four most nominated works in each category have made the shortlist + an editor’s choice (identified by an asterisk*). You can see which editor picked which category here – in the interest of fairness, the editors will only reveal why they picked each work after the voting has closed.

Note to those shortlisted: we have tried to get in touch with everyone shortlisted last week but haven’t heard back from everyone. If you are shortlisted and hearing about it for the first time here, please drop an email to [email protected] as soon as possible!

Voting is now open until 9th May at midnight.

The results will be announced at the end of our festival on 19th May at Theatre Delicatessen (Broadgate). You can book tickets here, and view the programme here.

Cast your votes here.

Like previous years, we’ve also chosen to share with you the longlist of works that narrowly missed out on making the shortlist. 10 for each category, we hope you will go and explore them too!

Best Short Story Collection Shortlist 

Bank Holiday Hurricane by Kelly Creighton (Doire Press)
Come Let Us Sing Anyway by Leone Ross (Peepal Tree Press)
Fifteen Minutes by Erinna Mettler (Unbound)
Hings by Chris McQueer (404 Ink)
You Will Grow Into Them by Malcolm Devlin (Unsung Stories)*

Longlist

A witness of waxwings by Alison lock (Cultured Llama)
The Chemist’s House by Jude Higgins (V. Press)
Dazzling the gods by Tom Vowler (Unbound)
Food of the Gods by Emma Dehaney (Brave Boy Books)
Her Body and Other Parties by Carmen Maria Machado (Serpent’s Tail)
Hollow Shores by Gary Budden (Dead Ink Books)
Paisley Shirt by Gail Aldwin (Chapeltown Books)
Room little darker by June Caldwell (Head of Zeus)
Some of Us Glow More Than Others by Tania Hershman (Unthank Books)
Worlds from the Word’s End by Joanna Walsh (And Other Stories)

 

Best Spoken Word Performer Shortlist

Amina Bhatti
Shruti Chauhan
Susan Evans
Tyrone Lewis*
Miss Yankey

Longlist

Hannah Davies
Jemima Foxtrot
Robert Garnham
Jess Green
Jo Howard
Leyla Josephine
Emma McGordon
Abbey Oliveira
Lydia Towsey
Scarlett Ward

Best Magazine Shortlist

Confingo
Into the Void Magazine
The Journal
Riggwelter Press*
Strix

Longlist

Banshee
The Blue Nib Literary Magazine
Coast to Coast to Coast
Dawntreader
The Lonely Crowd
Mslexia
Magma
The Poets’ Republic
Storgy Magazine
Wildness

Best Wildcard Shortlist

Affleck’s Creative Space*
I am not a silent poet
Poetry Prescribed
#WomenAloud NI 2018
Yours Faithfully, Edna Welthorpe: a tribute to Joe Orton

Longlist

Avijeet Das
Coast to Coast to Coast
Colchester Write Night
DUSK: Solstice Shorts Festival, Arachne Press
Flash Fiction Festival 2017 (Bath)
Poetry as F*ck
Process Productions
Ronnie Goodyer at Indigo Dreams Publishing
Verve Poetry Festival
The Unauthorised Biography of Ezra Maas by Daniel James (Dead Ink)

Best Novella Shortlist

Dead Dogs & Angels by Mickela Sonola (Holland House Books)
How to Make A Window Snake by Charmaine Wilkerson (Ad Hoc Fiction)
The Reactive by Masande Ntshanga (Jacaranda Books)
Seed by Joanna Walsh (Visual Editions)*
Tumours by Chay Collins (Ampersand Publishing)

Longlist

Gaudy Bauble, Isabel Waidner (Dostoyevsky Wannabee)
El Hacho by Luis Carrasco (époque press)
Love by Hanne Ørstavik, trans. by Martin Aitken (Archipelago Books)
Mapping the Interior by Stephen Graham Jones
The Ogress of Reading by Eithne Cullen (new Generation Publishing)
Our Bright Dark Summer by Richard Daniels (Wild Soar Books)
Saving Maya by Kiran Manral (Bombaykala Books)
Sealed by Naomi Booth (Dead Ink)
Water into Wine by Joyce Chng (Annorlunda Enterprises)
The End We Start From by Megan Hunter (Picador)

Best Poetry Pamphlet Shortlist

Anima by Ana Prundaru (Dancing Girl Press)
A Bargain with the Light: Poems after Lee Miller by Jacqueline Saphra (Hercules Editions)
Paisley by Rakhshan Rizwan (The Emma Press)*
Rice & Rain by Romalyn Ante (V. Press)
Somewhere Between Rose and Black by Claire Walker (V. Press)

Longlist

& by Amy Kinsman (Indigo Dreams Publishing)
All of the spaces by Maria Isakova Bennett (Eyewear Publishing)
The art of conversation by Mick Yates (Clare Songbird Publishing)
Elephants (Fragile) by David Gilbert (Cinnamon Press)
Heelster gowdie/beul-fo-bhonn  by Marcas Mac an Tuarneir/Stuart A Paterson (Tapsalteerie)
How To Lose Your Shadow by Kit Rayne (Umbrella Poetry)
Selfie with Waterlilies by Paul Stephenson (Paper Swans Press)
Solomon’s World by Jake Wild Hall (Bad Betty Press)
Spools of Thread by Angi Holden (Mother’s Milk Books)
The Punkawallah’s Rope by Chrys Salt (Indigo Dreams Publishing)

Best Spoken Word Regular Night Shortlist

Cafe Del Nino’s Spoken Word Night, Cannock
Find the Right Words, Leicester
Fire and Dust, Coventry*
Mind Over Matter, London
Verbose, Manchester

Longlist

Apothecary Words, Bridport
Bad Language, Manchester
Big Poetry at The Blue Walnut, Torquay
Boomerang Club, London
Inn Deep, Glasgow
Monday Night Cure, Derry
Outspoken, London
Raise the Bar, Bristol
Stablemates
Tongue Fu

Best Spoken Word Show Shortlist

Doctor Zeeman’s Catastrophe Machine by Martin Figura
Above the Mealy-Mouthed Sea, by Jemima Foxtrot and Lucy Allan
This Is Not A Safe Space, by Jackie Hagan*
Hopeless by Leyla Josephine
Sexy by Vanessa Kisuule

Longlist

Coat by Yomi Sode
Door to Door Poetry by Rowan McCabe
Fat Kid Running by Katherine McMahon
Frankie Vah, by Luke Wright
The Hair Show by Rob Auton
Juicy by Robert Garnham
Narcissist in the Mirror, by Rosie Fleeshman
Poets, Prattlers & Pandemonialists, by Emma Purshouse, Steve Pottinger and Dave Pitt
Two Little Ducks by Matt Abbott
The Venus Papers by Lydia Towsey

Most Innovative Publisher Shortlist

404 Ink
Bad Betty Press
Burning Eye Books
Indigo Dreams
Sidekick Books*

Longlist

By Me Poetry
Clare Songbirds Publishing
Dead Ink Books
The Emma Press
Nine Arches Press
Penned in The Margins
Platypus Press
Speculative Books
Tapsalteerie
Valley Press

Best Reviewer of Literature Shortlist

Charlie Baylis
Dave Coates
Joey Connolly
Jade Cuttle*
Sandeep Parmar

Longlist

Colin Dardis
Greg Freeman
Ross Jeffery
Emma Lee
Scott Manley Hadley
Ruth McKee
Mary Paterson
Sam Smith
Angela Topping
Tim Wells

Best Collaborative Work Shortlist

The Ambassador’s Reception by Interrobang!? and Poetry AF
The Black Flamingo by Dean Atta and Ben Connors*
Experimental Words by Dan Simpson and Dr Sam Illingworth
Heelster-gowdie by Stuart A. Paterson and Marcas Mac an Tuairneir
Inheritance by Ruth Stacey & Katy Wareham Morris (Mother’s Milk Books)

Longlist

100 Voices for 100 Years
Aaron Kent’s Poetic Interviews
The Book of Hours by Lucy English
Dancing Words by Nathalie Teitler
Fair Field (Penned in The Margins)
MakeyUppers– Alternative Bedtime Stories
A Matter Of Time – Ross McFarlane, Ellen Renton, Bibi June and Shannon McGregor
Subcritical Tests by Ailbhe Darcy and SJ Fowler
What We Now Know by Adam Clarke, Victoria Bennett, Beth Porter & Ben Please (The Bookshop Band), and inspired by the poems in the #MeToo: A Women’s Poetry Anthology
Where Love Meets the Waves by Kevin Bateman

Best Anthology Shortlist

Aquanauts (Sidekick Books)*
#MeToo – A Women’s Poetry Anthology, edited by Deborah Alma (Fair Acre Press)
Please Hear What I’m Not Saying: a Poetry Collaboration for MIND, edited by Isabelle Kenyon
A Portrait in Blues, edited by jay dodd (Platypus Press)
Stairs and Whispers: D/deaf and Disabled Poets Write Back, edited by Sandra Alland, Khairani Barokka, and Daniel Sluman (Nine Arches Press)

Longlist

A Change of Climate, edited by Sam Illingworth and Dan Simpson
A Change Is Gonna Come (Stripes Publishing)
Come as You Are, edited by EK Anderson (Anomalous Press)
Diversifly – Poetry and Art on Britain’s Urban Birds, edited by Nadia Kingsley (Fair Acre Press)
Female Lines: New Writing by Women from Northern Ireland, edited by Linda Anderson and Dawn Miranda Sherratt-Bado (New Island)
Liberating the Canon: an Anthology of Innovative Literature, edited by Isabel Waidner (Dostoyevsky Wannabe)
The Lobsters Run Free: Bath Flash Fiction Volume Two (Ad Hoc Fiction)
Metamorphic: 21st Century Poets Respond to Ovid, edited by Nessa O’Mahony and Paul Munden (Recent Work Press)
Mind The Time: an anthology of poetry to support Football Memories Scotland, ed. Jim Mackintosh (Football Memories/Nutmeg)
On Anxiety (3 of Cups Press)

View the shortlist in full below: