Tag Archives: Saboteur Awards

Saboteur Awards 2014 flyer

Saboteur Awards 2014

Nominations for the 2014 Saboteur Awards are now open! Tickets can be bought here. Like the literature and performances they celebrate, the Saboteur Awards are ephemeral and ever-changing. But some things stay the same: we’re always looking to reward work that has, since our last awards, really made us and/or our readers sit up and take notice…

The Flood - Superbard

Fiction Round-Up 2013

-Compiled by Richard T. Watson- We have a Christmas tradition of sorts at Sabotage: to post a festive round-up of the year’s highlights in December, and to start by (mis)quoting that carol about it being the season to be jolly. And what is Christmas without its twee traditions? So here goes, 365 days from the…

Saboteur Awards 2013: Performance

-in which James Webster sums up the categories he presented at the awards – Best Performer When it came down to the final day, Best Spoken Word Performer was the most closely contested of all the categories, with first place going back and forth several times and only three votes separating the winner and runner-up.…

Saboteur Awards 2013: Fiction

-In which Richard T. Watson sums up the Fiction side of the Saboteur 2013 Awards- The first of the Fiction stable’s awards was for the Best Short Story Collection by a single author. Four out of five nominees were traditionally-printed books, while one (Superbard’s The Flood) was designed specifically for the iPad and featured a…

‘The Middle’ by Django Wylie

-Reviewed by Nick Sweeney- The Middle is a short, powerful book about journeys, both actual and metaphorical, through hope and failure, but ultimately towards the suggestion, at least, of some kind of redemption. The characters, a boy – actually in his late teens – a man who feels the breath of middle age on his…

‘Adventures in Form’ ed. by Tom Chivers

-Reviewed by Lucy Ayrton- Adventures in Form is a beautifully curated anthology of contemporary poets engaging strongly with form in their work. The poems are clustered under 15 areas (Code is Poetry, Traditional Revised and Correspondence, to name three), each reflecting an approach to exploring form. The introduction to the book (by Tom Chivers) was…