–Reviewed by Julieta Caldas– In an interview with HeadStuff, Jenna Clake states that prose poetry allows her ‘to tell a
It’s with a huge amount of delight (and a bit of relief, if we’re honest) that we can announce voting
Utopia – a single-hander written and performed by multi-disciplinary artist and creative producer Amahra Spence – blurred the barriers between life and art.
-Reviewed by Simon Zonenblick- The beautifully presented Children of Grass is described in its foreword by actor Mary-Louise Parker as
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-Reviewed by David Clarke- This is an anthology that wears its heart on its sleeve. Clad (perhaps not uncoincidentally) in
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It’s with genuine sadness that we’ll soon say goodbye to our current Social Media Manager, Isabelle Kenyon. Isabelle has been
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-Reviewed by Dipika Mummery- What if the grieving process could be alleviated by a kind stranger who somehow manages to
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– reviewed by Jessica Holliland – Back in July, I had the pleasure of heading along to Plymouth’s Theatre
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-Reviewed by Rhys Knapman- Midnight Laughter is a collection of short stories by Paul McDonald, published by V. Press in
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-Reviewed by Cath Barton- Zettie, at the age of seven, stops speaking. Her mother tries to find out why, but
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-Reviewed by Emma Lee- The Protection of Ghosts links past and present, exploring intergenerational trauma, particularly along the maternal line.
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-Reviewed by Afric McGlinchey- In Vilhena’s introduction to this chapbook, Adelaide Ivánova’s poetry is put in context for English-speaking readers.
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An introduction from our West Midlands Spoken Word Editor, Hannah Ledlie: “Regular spoken word nights are the lifeblood of the
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